No hay artículos en el carro
No hay artículos en el carroEste es el efecto loco escuchado en el solitario "Fool in the Rain" de Jimmy Page. El Blue Box Octave Fuzz toma la señal de tu guitarra y la duplica dos octavas hacia abajo para un enorme tono subterráneo. La perilla de mezcla le permite controlar cuánto del tono de fuzz se mezcla con la señal de abajo de dos octavas. No para los tímidos — realmente no hay nada como la Caja Azul.
Sahm
Comentado en México el 10 de diciembre de 2024
Además de que llegó más deuna semana y media después de lo publicado, es de mala calidad
Henrik Hiort
Comentado en los Estados Unidos el 5 de diciembre de 2023
Works great for b&o receiver.
CASPER
Comentado en los Estados Unidos el 28 de julio de 2022
This is a very very narrowly used effect. But, it's so awesome. Let's face it, this is a novelty. I love it, but it's not going in my signal chain regularly. it's fun.. definitely not a necessity.
Julian Routheaux
Comentado en los Estados Unidos el 31 de marzo de 2022
The sound is deep and can make your guitar sound like an old school computer game from the 80's.The best way to use this pedal is in front of an amp with subtle distortion/overdrive. (otherwise it can be confusing and noisy) Depending on the guitar you're using the best results are with neck pickup and tone knob on the guitar turned to 10.Its a great pedal for blues, desert rock and garage rock.
Bill P.
Comentado en los Estados Unidos el 8 de marzo de 2019
The Blue Box is a weird little thing. I love it. It actually does 2 octaves down instead of going up like other octave fuzz pedals. It's mostly monophonic so don't expect to be strumming chords with this thing on unless you're into weird sounds (which I totally am so I do).If you like weird and wild sounds or you want that Jimmy Page sound then this is for you. If you're less experimental about your music then you might think this is a piece of junk.
Coop
Comentado en Canadá el 13 de diciembre de 2015
Great delivery. Product functions as it should.
dayofflight
Comentado en los Estados Unidos el 14 de diciembre de 2014
So here's the deal. Let me just make this statement before I go into the qualifiers ...The pedal outright rocks. BUT....The pedal is somewhat limited in the overall tones it produces, which is what the one star deduction is for. If all your looking for is a fuzz pedal, look elsewhere. This one is for a specific type of sound. I currently use a "La Machine" pedal from mxr for a great versatile box, but there are hundreds of fuzz's from hundreds of brands that are wonderful for any type of fuzz you want. fuzz... :)This pedal puts fuzz on your signal than doubles the tone two octaves down and layers it on top of each other. And it does so with analog circuitry. This means it is an organic pedal with quirks galore that must be mastered before you can use it effectively. And that process is an absolute load of fun for tone experimenters! At times it has a real organic sounding aspect, at others it is a bit Nintendo-ey as the octave tries to settle in on a note. Sometimes the sustain will cut itself short as you hit the note in in odd way (mostly with passive pick-ups) but most of the time there is plenty. Don't listen to those who say it isn't a good box for live playing. Slash used one for years before switching to a custom signature box he helped design, it didn't seem to hurt his live shows. Once you've mastered it's quirks and figured out what to avoid it works splendidly.A couple tips and notes to bring out the best in the pedal. There is a significant volume suck when the pedal is activated, and for its effects to work properly, you have to have some volume behind it to work with. Otherwise it sounds choked and thin. It sounds best if it comes after an overdrive in the pedal chain. It'll take the bite from the overdrive and really produce some amazing stuff with it. I currently have an OD in my amp on a dirty channel, and with some gain (not even a lot really, about 10 o'clock on the dial with noon being half) and a boost It just shines. The octave works best on the mid to higher end of the scale, the lower end is a bit muddy and in a band setting would be drowned out by a bass guitar anyway. Grindcore players need not apply. On the other hand, if you don't play with a bass, a la the White Stripes, it fills in the spectrum nicely.There is nothing quite like this pedal out there, and with this one In hand I really don't feel the need to look.
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