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Excelente rango dinámico y un sonido brillante, viene con una tapa de plástico para mantenerlo limpio y una hebilla de metal para sujetar la lengüeta.
El material de latón garantiza su longevidad y la ligadura de metal ofrece una sujeción segura de la caña.
El diseño facilita los armónicos, la aerodinámica garantiza la comodidad del jugador, cuenta con un diseño de deflector alto con cámara de tono especial para una respuesta rápida.
Es adecuado para saxofón tenor plano B.
Fácil de usar, fácil de instalar y quitar.
Debido a la medición manual, puede haber un error de ± 1 mm.
Mario Cantú
Comentado en México el 14 de febrero de 2025
Proyecta mas fuerte y brillante que la boquilla de pasta
Beatriz
Comentado en España el 10 de febrero de 2025
Perfect
Eric Thomas
Comentado en los Estados Unidos el 22 de junio de 2024
Use a softer reed! And it will perform beautifully. A 1.5 or 2 tops. I don't like the metal ligature otherwise it's a great addition to my collection. It's got some great volume and excellent inflection and it looks beautiful with the instrument.
Pascal Styger
Comentado en Francia el 21 de octubre de 2024
Puissant, efficace, son Jazz sur toute la tessiture, une merveille.
Janick
Comentado en Canadá el 25 de julio de 2023
Habituellement, j'utilise un bec en ivoire et ce bec en métal m'a grandement surpris. Mon son sur mon ténor est beaucoup plus rond et élargi. Très contente.
Ron Howe
Comentado en el Reino Unido el 28 de noviembre de 2023
Okay, with over 45 years experience I, like Sirvalorsax (checkout his review), buy and test these budget metal mouthpieces to recommend to students where appropriate and I have, among others, two Yibuy mouthpieces including this gold #7 and the white metal jazz #9. All in all I am very impressed with the manufacture quality and the speed of delivery. Turning to the gold #7; the table is very flat and well machined as is the chamber and bore. The Yibuy is a perfect fit on my Yamaha YTS-62 tenor. The baffle is what I call a step baffle which is modestly high with an undercut tip. This makes the mouthpiece very free blowing. The tone is bright and edgy with oodles of power and projection.The high notes are very bright and the lows sing really nicely. Sub-tones are acceptable and, altissimo notes come out really easily due to the relatively long lay/curve. Overall I find the tone excellent and very controllable. I like a bright mouthpiece for Rhythm and Blues and when playing with LOUD guitars! Yes, the ligature and cap are a bit cheap and my cap is very loose but, why not replace them with a Rovner ligature set anyway? You got the mouthpiece for peanuts!The side rails are a bit wide at the tip and the Vandoren 2.5 reed I used to test the mouthpiece sat shy of the rail outside edges. I suffered a few squeaks at first but that’s down to the Vandoren reeds tending to have a weaker heart and, I suspect the ligature is not tightening enough (I usually use LaVoz and Rico Orange Box reeds). The mouthpiece length is about average being longer than my Otto Link Super Tonemaster 8* and shorter than my Lawton Bronze 9BB so, tuning is spot on. The tip opening is a bit less than most 7s but you know what, there is no standard and it’s about the same as my Brilhart Metal Level-Air 7 Mark 2.Would I recommend these mouthpieces? Yes, in a heartbeat. Would I use them for gigs? Yes. Just remember that it will take inexperienced players a little embouchure adjustment to get things working properly and they’ll get you on the path to playing wider tip mouthpieces for more power and a much richer mould-able sound that will get over the loud on stage noise and, for you to be able to hear yourself from low to high notes. Be prepared to try different reeds.Footnote: These mouthpieces seem very similar in design to my Lawton’s and Berg Larsen’s and in copying those and with modern CAD engineering the Chinese are turning out very consistent good quality.
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