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No hay artículos en el carroEl único pedal de distorsión de graves que necesitas fuera de la caja, el pedal de distorsión de graves Aftershock de Source Audio incluye tres potentes motores de overdrive para ofrecer un tremendo rango tonal que abarca cada sabor de suciedad que tu bajo pueda desear. El motor Tube sirve un poderoso, pero sutil, tubo clásico overdrive con ruptura cremosa y gotas de golpe. Pesado escupe la distorsión agresiva con agudos nítidos y bajos masivos. El motor Fuzz tiene una intensa paleta de tonos fuzz de germanio en el llave, todo ello deportivo beaucoup inferior y grano gigantesco. El elegante y potente panel de control de Aftershock te ofrece las herramientas para esculpir finamente tus tonos de graves característicos. Su perilla Clean es una licuadora seca/húmeda que te permite mezclar la señal de limpieza suficiente para mantener la punta baja sólida sin afectar el prodigioso gruñido girthy del pedal. Ajusta el control de tono integrado para encontrar el punto dulce en el Richter
Timothy D Colbrese
Comentado en los Estados Unidos el 17 de marzo de 2023
This is a very versatile bass pedal. Can give many workable bass dirt sounds. Muff clones are good and the Darkglass tones are good as well even though they don't really sound like Darkglass tones. Anything from subtle breakup and in your face fuzz. Absolutely endless array of parameters to be adjusted to find your sound in the app or desktop editor. My favorite function is for subtle breakup. I honestly thing this is the best pedal out there for just a hint of dirt. Incredible versatile pedal all in all! Definitely worth the price. Has so many options and so many distortion engines to choose from. It's true beauty is that it is actually 2 dirt pedals in one. You even have the option to have one cascade into the other. You actually can route it any way you can imagine. It's hand down worth it's price.
Alex
Comentado en el Reino Unido el 17 de febrero de 2020
Does exactly what you want it to once you’ve got the neuro app
Phadnis
Comentado en Canadá el 13 de mayo de 2019
Great addition to bass rig.
Customer
Comentado en Canadá el 8 de marzo de 2019
Where I come from,I use my Aftershock with synths and drum machines, both with a Radial REAMP loop and with line level FX loops via my RME interface. I use it in a studio setting with the software editor.I have about 10 dirt pedals. I am replacing almost all with the Aftershock. It is that good.When using the software editor over USB cable, this thing is amazing as are all of the Source Audio pedals I have tried.You are getting two independent distortion engines at once. they can be arranged in serial, parralel or true stereo (Engine B follows A's settings). Engines vary from mild overdrive, gated fuzz, distortion to brutal wave folding. 26 engines! Parametric EQ, noise gate, spectral gate that only guts the highs.Some features that set this apart6 Presets from the box, more via Neuro HubEach engine has a wet/dry mix (essential for bass and synths)There is a clean mix hi cut filter (finally!)There is Voice and Voice Frequency parameters that change the frequency characteristics of each EngineInput has a hi passExpression pedal can control any combination of the front panel knobs Drive, Output, Wet/dry, TrebleHardware Clean knob and Tone knob can be remapped per presetThe distortion engines sound very close to the real thing, for example I compared it to my slanted ProCo RAT, a Myomorpha RAT clone and the Aftershock. The Aftershock sounded better than the clone, and while having slightly less lower harmonics than the ProCo, it had no noise and the addition on the excellent EQ and noise gate. Aftershock will replace my RAT(s).
Customer
Comentado en los Estados Unidos el 18 de julio de 2016
There are 2 modes (red LED and green LED) for up to 6 stored patches (without your cellphone app).The RED mode lets you recall the patches regardless of where the knobs are set which is handy if you're 2 year old (like mine) enjoys turning knobs while you're away. There are 3 fully customizable storage slots, selectable via the mini toggle. The app is easy to navigate and make changes to the tone. You can download the app for free and navigate through it before buying the pedal (this will show you what all you can customize, which is more than enough). You can even upload other One Series pedals into the 3 slots.The GREEN mode (stock mode) can be altered and saved over, but when recalled it is subject to where the knobs are set. You can toggle between the RED and GREEN modes (or banks) by just holding down the switch (the time it takes to switch is also adjustable). So you can toggle between two sounds without having to bend over and flip a switch.I find it to be a very transparent overdrive and/or distortion with more options than most anyone would ever need. I've owned and used many drive/distortion pedals, including the Billy Sheehan. They either add too much in the mids or you lose the bottom end (even when they say you dont) or sound too buzzy and/or farty. Also, for a digital pedal, I'm impressed with how natural the sound is. You can get a nice pushed tube sound, or call up a fat octave fuzz.Internally you can set it up to do lots of things like: be two gain stages in series, or two patches parallel to stereo outputs, buffered bypass or true bypass, noise gates and filters, make the knobs adjust other parameters, etc.If I were starting my search for the perfect drive/distortion pedal, I'd start here, and probably stop here. The only thing I'd add would be a separate foot actuator to toggle between the 3 stored settings. The presets are great as are the other factory loadable patches from the app. You can also store (on the app) up to 128 of your own patches (I think it's that many - more than I'd need anyway).I've not had any quality issues, nor do I expect to. I'd buy it again, and recommend it to a friend.
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