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Rico M9 Metalite Mouthpiece for Baritone Sax

Envío gratis en pedidos superiores a Mex $600.00

Mex $791.17

Mex $ 427 .00 Mex $427.00

En stock

1.Nombredelestilo:Barítono


Acerca de este artículo

  • Modelo m9 para saxofón barítono
  • Apertura de la punta: .120 pulgadas (3,05 mm)
  • Longitud de la curvatura de apertura: 26 mm
  • Duradera, no se astillará ni se romperá
  • Disponible en tres aperturas de punta


Una de las favoritas entre los músicos de jazz, la boquilla metalite está fabricada en un material duradero y resonante para ofrecer el sonido de una boquilla metálica a un costo mucho menor; las boquillas metalite poseen una cámara mediana/pequeña y están disponibles en tres aperturas de punta, afinadas en la=440


Thomas Käser-Weber
Comentado en Alemania el 1 de abril de 2025
Prompte Lieferung. Gute Qualität.
Client d'
Comentado en Francia el 17 de enero de 2023
Fait le job un peu limite dans les aigus, rapport qualite prix imbattable
DeeZleUK
Comentado en el Reino Unido el 6 de marzo de 2020
Value for money. A nice mouthpiece and works well for me. I had to experiment with different reed strengths for me to get the best out of it but that's to be expected no matter what new mouthpiece one buys. At these prices it's not expensive if you should find it not suitable. Makes me wonder why other mouthpieces have to be so much pricier. My recommendation is try one, if it turns out it's not for you then at least you haven't spent £100's. Mouthpiece / reed combinations are a personal thing anyway what works for me may not for you. I found this particular mouthpiece very good. You shouldn't be disappointed.
PcO74
Comentado en España el 14 de mayo de 2018
Me encanta tiene mucha proyección . Sonido potente buen timbre . Me sorprendió la compré para probarla y estoy muy contento . Mi barítono va como un cañón
Kurt E.
Comentado en los Estados Unidos el 16 de junio de 2012
8 months ago, I bought a bari that came with the original Yamaha 5c piece and a metal Otto Link 7. The Otto Link (~$200) is a very nice piece and I am happy playing it, but I read that the Metalite was the current version of the Brilhardt (the piece I prefer on tenor) and at $25 figured why not see how it compares.I think the Metalite is a better piece for what I do (Jazz and Rock). I had assumed the metal piece would be more aggressive, but the Metalite surprised me with more power, edge and bite than the Otto!THE BEST THING ABOUT THIS PIECE IS THE WAY IT OPENS UP THE UPPER REGISTER!I understand the stuffiness of the upper register (compared to tenor or alto) is a design compromise so the Bari could hit those wonderful, full bottom notes without the "honkyness" I have to be fight off on Alto or Tenor.The Yamaha 5c piece is stuffy through the upper register despite having a reputation as easy to play.The Otto does a lot to open these notes up, but, WOW! the Metalite is so open, I can almost think I am playing tenor in the upper register! It is great if you want to wail out a solo and also ideal for getting raunchy with your sound!Nonetheless, I think the Otto would be the better piece for playing in a small, intimate setting with microphone. It has a great full, round, and mellow sound and it plays "soft and soulful" unlike any other piece I've tried. However, I primarily play in a big band so that just doesn't fill the bill for me.I bought a M9 before finding out about the M7 and M5. The packaging says to use the M9 with a soft reed. I use my standard #3 reed and it works great. But I had to buy and try a M7 to see if it made any difference. I could detect no difference of consequence between these two pieces. I think the different facing options are more of a marketing ploy than anything else. That said, I am curious enough to spend another $25 to see if I can tell a difference between the two extremes - M9 and M5. I will post my findings here or check under the M5 reviews after I have a chance to log some time on both of them.At $25, I think anyone who plays bari should try this. I'd recommend the M7 since it is in the middle. If you are a beginner and don't like it, stick it aside and try it again a year later after your embouchure muscles have had time to develop. I mentioned the power, but it also play nice and soft for concert band.Note: I play a Yamaha YBS-62 which has two pads that open when the octave key is pressed in the upper (G and higher) register. This might effect how the piece reacts in the upper register. Please post your experiences with other horns!
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