Makes me feel sexy when I wear it

Not enough room for the junk, but flippin’ CUTE.

Waste of money

Good fit and very cumfortable

Fit great but only negative is the thong is very skinny in front and unable to fit chastity cage in it so I just let it hang out 😂…. Wife and her black boyfriend loved it !

Bueno, bonito y barato

Microfone de qualidade boa, mas o material muito frágil e fino. Mas está tudo funcionando perfeitamente.

Durable y buena recepcion.

Debería traer adaptadores para otro tipo de conexiones

Excelente y compatible con shure, lo unico que se agradecería es que viniera con un case para poderlo guardar, pero aún así es muy buen micrófono a comparación de shure que es mucho más caro

Excelente herramienta, tiene una mayor nitidez y claridad en voz, a comparación de otros que tienes que pegarlos demasiado a los labios, este no. Capta perfectamente la voz, poniéndolo de otra manera el costo beneficio es excelente !!!

No me di cuenta que falta el resto de accesorios para que funcionen bien así que no los he podido usar desde que los compré. :(

Un producto que ofrece buena respuesta de frecuencias y con un bajo costo. La relación costo-beneficio es excelente. Muy recomendable para producciones dónde no se exija una calidad premium del sonido aunque ofrece un sonido nítido confundiendose con el sonido de marcas de gran prestigio

We use this mic with a Sure wireless system and it works very well. The dual-ear mount helps the mic to stay positioned properly on the speaker's head, so I don't have to do a lot of adjusting because the mike is moving around on the speakers face. The color and small size are also not intrusive so you don't really pay attention to it - which is nice because you then focus on the speaker and not a big microphone attached to his head! We only use it for speaking, which works very well. Good pickup and not too much outside noise picked up. I have no idea how well it would work for singing. For speaking, the response range is good. It's WAY less pricey than a Sure brand but works well with Sure equipment and for us at least, works every bit as well too! The build quality seems good, and if you treat it properly, I don't see why it won't give years of service. We are very happy with it.

Antes que nada, hay que tomar en cuenta que la competencia principal de este micrófono cuesta aproximadamente $10,000 pesos ($500 USD). He usado ambos; este es un poco más difícil de ecualizar pero una vez que queda, suena casi exactamente igual al otro. Solo tengo alrededor de un mes usándolo así que no puedo comentar sobre la durabilidad... Pero en serio, puedes comprar 50 (si, cincuenta) de estos para el precio de un Journeyman. No lo pienses más, cómpralo. Te vas a sorprender.

Very good product at an excellent price.

*SEE UPDATES FOLLOWING THE ORIGINAL REVIEW*I work in a performing arts center where we use 24 wireless microphone systems primarily for theatrical productions by high school, middle school and community theatre groups. I expect to mic actors for 38 rehearsals and 54 performances this year. Although we have $300 microphones for " talking heads" applications, there's no way I'm risking a $300 AT or Countryman earset mic on a student. Quite a few mics fail with various kinds of damage over the course of a year, so I am always on the lookout for an unobtrusive and inexpensive mic. I'm hoping I've found one in the Pyle-Pro PMHMS20 Wired Headset Boom Mini XLR Omni-Directional Microphone.I initially purchased two of the Pyle PMHMS20 headset models and have since purchased another along with the "earset" style mic. These "mini XLR" models are terminated with a TA4F connector required by Shure wireless belt pack transmitters. They also fit the Line 6 XD-V70L wireless belt packs.So far, I've only used the first two headsets in a community theatre production of three rehearsals and four performances. They performed better than expected and sound quality was excellent. They sound better than the MM Audio MM-PSM earset and at least as good, if not better, than a well-placed Shure WL-93. They are not a sonic match for the or Countryman E6, but they currently cost roughly 1/15th of the AT price listed on Amazon. I didn't measure the cable length, but it is adequate to reach just beyond waist level for typical adults. It will take some time to determine long-term durability, so I'll update this review after I've had time for evaluation.These headsets offer some size adjustment, but I don't believe they can be adequately adjusted for children. Even when adjusted to the smallest size, they were still a bit loose on a petite actress and had to be secured with a small strip of medical tape. The boom is very long, so a fair amount of bending may be required for smaller faces. Even with the mic element right at the corner of the mouth, I did not pick up pops or breath sounds. They do come with two foam wind screens, if needed.The most recent PMHMS20 headset I ordered arrived last week. When I opened the Amazon box, I immediately noticed I received the PMHM2 model with a 3.5mm plug, rather than the TA4F "mini XLR". I checked the packing slip to see that I had in fact ordered the "mini' XLR" version. I then checked the headset packaging, which was incorrectly labeled as the PMHMS20, but contained the PMHM2 version with a 3.5mm connector. I don't consider Amazon to be at fault, since the problem obviously originated with the manufacturer. I don't expect to have any trouble with Amazon exchanging this for the correct model.One other note; the product package (not Amazon) states that the mic is available in both beige and black. Unable to find a black model on Amazon or anywhere else, I called Pyle Pro. They confirmed that the package was mislabeled and no black model is available.-----------------------------------------------------June 2012 Update - I've just ordered seven more of these mics when I found the price had dropped closer to what I originally paid.I continue to be pleased with the sound quality and have been surprised at how well they've held up. So far, I've used them 30-40 times on seven theatrical productions and a half-dozen "talking heads" programs. Most of the plays were musicals, including a dance-heavy production of "Hairspray". I broke the wiring inside one of the earset versions attempting to re-sculpt it for a better fit, but I've only had two minor problems with the headset version reviewed here, and those don't affect function. The clear plastic sheath covering the metal earpiece got stretched out on one mic and the end cap covering the tip of the earpiece was lost from another; again, nothing that harms function. I've had no problems with cables breaking or connector issues (on this headset version).Continued use has proven that these work best on large heads. No amount of adjustment will provide a stable fit on a petite actress or child.I've only had one instance where I had to use a foam windscreen to tame pops.I still wish these were also available in black and/or brown for African-American skin tones.-----------------------------------------------------March 2013 Update - I now have 24 of these and am in the middle of another season of high school & community theatre musicals. Since my last update, these have been used in about 72 rehearsals or performances and I'll have another 25 rehearsals/performances between now & the end of April. To date, I've had three "break" & all three have the same cable issue. The cable has a clip that attaches it to the back of the headband very near where the cable enters the headband structure. The band slides to lengthen or shorten the boom and fit head size. The problem occurs because the cable clip does not slide on its own during adjustment & that leads to pinching and excessive stress on the cable between the clip and entrance to the headband (I'll post a photo). The result is an audible "thump" as the internal wiring makes or breaks contact, along with momentary loss of audio. It usually happens as the actor turns his head or the mic cable gets a tug. It is not something I would consider end-user repairable. It can be avoided by always taking care to adjust the clip as you adjust the headband, but that often doesn't happen during the chaos preceding a production, especially if you have a large cast and even more especially if they are responsible to placing and adjusting the mic themselves.Given the use and abuse they endure versus the cost, I absolutely consider this problem and the number of mics I've lost due to it, perfectly within acceptable limits. Most of these productions involve the mic being on someone's head for four to five hours from beginning to end, so I'm talking about several hundred hours of total use for some of these mics, just in the last year. If you are buying a couple for the pastor to use a couple of hours a week and you take care to adjust the cable clip, you should get plenty of use before replacement is necessary.Pyle offers a one-year warranty that covers the usual "manufacturers defects". I've not looked into it, but plan to see if this problem might be covered. I''ll post the outcome when I get an answer.I am still very happy with the audio quality for speech and singing. I do minor EQ on them, but I generally EQ most other mics I use too; probably more a factor of room acoustics or speakers than the microphones.I will comment on pricing. The price of this mic varies as much as the stock market. I've watched it range from just over $11 to nearly $29 in the last year. Compared to similar mics, it is a great value at even the high price range. If you think it's too much, check back often, because it will fluctuate. All my stock was purchased when prices ranged between $14 & $19 (and with free Prime two-day shipping), so I'm thrilled to get this type product for this price.I'll be back with another update at the end of April.--------------------------------------------------------------January 2014 Update - I've had 9 of these to fail as described above. I've posted a photo showing the point of failure. About the best preventative I can suggest is to train your users to take care when adjusting the headband. Also leave slack in the cable between the entry point to the boom and the clip to allow for sufficient adjustment without overly flexing the cable. Perhaps the best resolution is just to remove the clip all together. Doing so avoids the immediate problem with headband/boom adjustments, but there's no strain relief at all if the cable gets a good yank.With the amount of use these get in my facility, I still think they are a great value. Stuff breaks and it's just the cost of doing business. At least you're not out $300 when one of these breaks.Regarding the possible warranty replacement, I never bothered pursuing it. The packaging indicates a required handling fee for warranty issues that when combined with shipping cost, exceeds the cost of replacement with a new mic from Amazon.By the way as others have pointed out, the Amazon photo of the headset is upside down. The curved part of the earpieces go over your ears, not under.-------------------------------------------------------------July 2014 Update - Total failures to date is around 28 since I started using them in October 2011. That sounds like a lot, but they are used well over 100 times a year. Without exception, each headset failed due to a wire break where the cable enters the headset boom. I've detailed this issue in previous updates and posted a photo showing the point of failure. Why then, did I recently purchase 30 more? (1) The price. Compared to any similar headset mic compatible with Shure wireless systems, the price makes this headset a steal. At the current price of under $14, it's a disposable commodity. (2) Sound. As I've said, this is no sonic match for a Countryman, Audio-Technica, DPA or other headset mic that will cost anywhere from $300-900 each, but for what I do (musical theatre with high school and middle school students & talking head events, it's way past good enough). With a little care in adjustment and unclipping the cable from the boom, the wiring problem can be avoided or minimized.I couldn't afford to own 30 Countryman E6 single ear headsets (currently $349 each on Amazon) or the H6 dual earpiece model most similar to this model Pyle (currently $470 each). Really, that's $10,470 for the E6 and $14,100 for the H6! I could buy over 1,000 Pyle headsets for the cost of 30 H6's. If you only need one or two mics for a pastor and they will be used carefully in a controlled environment, or if you are on Broadway with a gigantic budget and cannot entertain the possibility of a single failure, then the high dollar mics should be your choice. If you've got a lot of people who need a relatively inconspicuous headset mic that sounds reasonably decent, I will continue to recommend the Pyle PMHMS20.

Good Quality and Price Affordable