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Agujas de vinilo hechas a mano producidas en Japón
Las agujas de registro NAGAOKA se fabrican en la ciudad de Higashine, prefectura de Yamagata, en la región de Tohoku de Japón.
Cartucho de registro de la serie "MP" de resistencia técnica de NAGAOKA
Aspecto y dibujo dimensional
rebelle
Comentado en Francia el 13 de diciembre de 2024
très étonnant rapport qualité-prix, on ne s'attend pas à avoir un tel son à ce prix : très précis dans l'espace, avec des aigus riches sans être agressifs et des graves amples en étant bien définis.Ça a été écrit par ailleurs, cette cellule équivaut à d'autres beaucoup plus chères !
David LaPlante
Comentado en los Estados Unidos el 17 de noviembre de 2024
I have always used moving magnet phono cartridges. I recently came to the conclusion that new cartridges outperformed vintage ones, so I had been using an Audio Technica VM520 and was very happy with it. I had no reason to upgrade. Then I started reading and watching reviews of the Nagaoka MP-110. Reviewers all said how amazing this cartridge was and how I should run out and get one...today! I was intrigued. The deciding factor was that this is not a moving magnet cartridge (or moving coil). It is a moving permalloy. Basically, a cartridge with the high output of a MM but with the sonic improvements of a MC. The permalloy material is lighter so the stylus cantilever is not dragging heavy magnets around. The stylus is free to more accurately track the groove. The elliptical stylus is also .4x.7 instead of the usual .3x.7. This was described by some reviewers to provide better contact with the groove and sound better with older, worn records. OK....I'm in. I installed the MP-110 on my AR XA turntable, set the tracking force to the middle of the recommended range and adjusted the overhang to reduce tracking error. I decided to play only vintage records. No remastered stuff. From the very first play I was amazed. I had come to accept a certain amount of distortion, especially in the high end and a certain amount of reduced low end from records. It was just inherent in the medium, I thought. Well, this MP-110 cartridge proves that it can be eliminated, if not greatly reduced, at least. The sound from this cartridge is so clean and crisp you have to remind yourself that you are listening to a record. The low end is amazing on this cartridge. Acoustic guitars sound like real acoustic guitars with realistic low end. Every bit of overdrive and fuzz on electric guitars is there. Guitar effects like flanging, phase and Leslie are clearly reproduced. Terry Kath's Telecaster never sounded so good. I look forward to playing every record I own in the coming months (and years) and rediscovering the music contained in those grooves. If you have only used MM cartridges because you didn't want to spend the money on an expensive MC cartridge (or don't have a MC phono stage), do yourself a favor and try out this Nagaoka. You will not be disappointed.
小柳和彦
Comentado en Japón el 10 de noviembre de 2024
ジャズかクラッシックがほとんどなので、なかなかのコストパフォーマンスだと思います。
roberto villa
Comentado en Italia el 17 de octubre de 2023
Mamma mia, come suona bene! Ho provato diverse testine ed uso ancora la mia "vecchia" Stanton Epoch II ma questa Nagaoka è davvero qualcosa di incredibile. Io non sono un audiofilo ma quando ho messo il primo LP (Dark Side of the Moon) sul piatto la mia mascella è caduta per lo stupore ed il piacere. Suona bene, un suono dolce, preciso che valorizza ancora di più il vinile. Bassi presenti nella giusta misura, mai slabbrati ma pieni, potenti e ben frenati, alti ben delineati, mai sibilanti ed è un piacere sentirli e medi che fanno da raccordo tra bassi e alti senza mai essere invadenti. Una dinamicità incredibile che ti farebbe stare ore ad ascoltare un palcoscenico così aperto con strumenti ben identificabile ed una separazione dei canali corretta e veritiera. Sono ben consapevole che il giudizio su questi componenti è assolutamente soggettivo ma, credetemi sentire suonare la Nagaoka MP 110 è puro piacere. Ho anche deciso che, budget permettendo, ne compererò un'altra magari la sorella maggiore chissà, sognare è sempre bello. Comunque veramente grazie Nagaoka, mamma mia che meraviglia ascoltarti!
MangaTele
Comentado en Canadá el 16 de diciembre de 2019
I bought this on the advice of someone reviewing the Ortofon 2M Blue. I'm glad I did. After using it for about a month, I can report that It is extremely well-balanced tonally, and nicely detailed through the mid and high frequencies. I was replacing a Rega Elys on a Rega Planar 3 'table. The Elys was sounding kind of dull (possibly due to its age). The Nagaoka has brought the P3 back to life. A few things to know, though, if you're considering this cartridge for a Rega 'table:1. The Nagaoka is 17.5 mm tall. Rega Bias/Elys cartridges are 13.5 mm tall. This means that with the Nagaoka mounted on a Rega RB300 arm, the arm will tilt down slightly towards the pivot (which I understand is okay, and possibly optimal from a sonic standpoint). If you want to level the arm, you will have to add a spacer under the arm. Or you can do what I did (to partially compensate for the different heights): replace your Rega felt mat with a Pro-Ject Cork It mat (which is quite thin at 1.5 mm). The Pro-Ject mat works very well with a glass platter, and provides (I think) even greater detail.2. Proper alignment on the Rega arm means that the Nagaoka will be quite far forward in the "headshell". I have it about 3.5 mm out from the end of the headshell (look online for the image of this cartridge mounted on an RB250 arm, which someone has helpfully posted). It will look a bit like you've bolted a brick to the end of your tonearm (given the Nagaoka's boxy appearance). If you want something that looks good (or "right") on a Rega arm, you should probably look for a different cartridge. As for me, I'm very happy with the sound, and can live with the aesthetics.
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