No hay artículos en el carro
No hay artículos en el carroMicrófono de cinta activo lleno de valor El dorado Age R1 Active MKIII te da la calidez aterciopelada de un micrófono de cinta junto con la estabilidad de un amplificador de búfer FET (transistor de efecto de campo) que te permite utilizar el micrófono con cables más largos y prácticamente cualquier preamplificador que tenga potencia fantasma. El R1 Active MKIII ofrece un sonido claro y potente con realismo realista que es ideal para capturar la potencia y los matices de instrumentos y voces. Un micrófono moderno robusto con sonido clásico de cinta dorado Age R1 Active MKIII ofrece un sonido clásico de cinta con agudos suaves y gama baja extendida. Su rápida respuesta transitoria hace que sea una gran opción para batería, guitarra acústica y eléctrica, y piano. Y con su alta sensibilidad (para una cinta), es increíble para capturar actuaciones vocales sensibles. Con su precio económico, un par de estas versátiles cintas son perfectas para aplicaciones estéreo como sobrecargas de batería. A diferencia de
Cliffymusic
Comentado en los Estados Unidos el 10 de septiembre de 2024
Pro:I've been recording soprano sax with this microphone in my home studio with great results. It brings the kind of sound I'm looking for.Con:I didn't like the pre installed xlr cord.
stardust
Comentado en los Estados Unidos el 13 de febrero de 2021
I was on a quest to find a microphone with less unpleasant sibilance than the CAD M179. Of the MXL 2003a, Shure SM58, the TZ Stellar X2, and the TZ Stellar X3, this GAP R1 MKIII came the closest to doing that, i.e. it differed the most from the others.The very natural reproduction and neutral off-axis coloration of ribbon microphones gives them a unique and distinctive sound. Low end repsonse is so strong that you can get quiet far away from the microphone without the source sounding thin, and the extra room tone that the figure-8 pattern picks up is not at all weird or unpleasant like it can be with Figure-8 condeners.However, the lack of a shock mount combine with the very good LF response makes this microphone difficult to use in an environment with with LF rumble, footsteps, etc. It will pick all of that up very clearly.The thing that really prevented me from being able to use this microphone for my purposes is the noise.For vocals, you have to be at least 8 inches away from the microphone to avoid plosives (to which it is extremely sensitive), but at this distance the amount of self-noise the microphone produces at reasonable source volumes is excessive to the degree that even running the signal through an expander/gate can't produce an acceptable result. I could see it working for guitar cabinets, drum overheads, or very loudly-sung vocals, but not for anything intimate/quiet/accoustic.Which is a shame because it does sound very natural.I should also note that, regarding sibilance, if you use EQ to boost everything above 200Hz (which where this starts to roll off) 10-15dB, it will sound similar to a condenser in terms of brightness, and the sibilance will sound pretty much identical too, plus you'll have boosted a lot of hiss from the built-in preamp. So unlike what many people say, I don't think it's a valid solution to sibilance problems, at least not unless you're allergic to EQ. Conversely, you can make any of the condeners listed above sound very similar to this microphone by doing a 10-15dB cut off everything above 200Hz (but none of them will ever have quite the same amount of LF body).The smoothness/naturalness of the reproduction of the ribbon can't be replicated with EQ though.In my case, I got better results by using the TZ Stellar X3 from 2-4 inches away, plus some EQ, than anything I could achieve with the GAP R1 MKIII. Regarding self-noise, there's no comparison.I might pick up the passive version of this microphone and see if that gives better results. But I still think it's never going to cut it for vocals unless at opera-singer volumes.Regarding the build quality: it's worse than I expected. Body is painted rather than powder coated and the knurled knobs/swivel mechanism feels cheap, flimsy, imprecise.
ayurmonk
Comentado en los Estados Unidos el 19 de diciembre de 2017
I have revised my assessment. Unlike conventional passive ribbon mics which can be damaged by phantom power, this one needs phantom power to function!Once placed appropriately, it captures a very smooth mellow signal, which is a welcome relief from the shrill upper frequencies offered by most Chinese LDCs. Excellent for voice(both male and female) and strident instrumental sounds.Excellent value for money. Some hiss is audible at high gain but can be handled in post or by gating, particularly on voice overs.
LHC
Comentado en los Estados Unidos el 10 de febrero de 2015
Love the warmth and emotion of this mic. I frequently prefer it for vocals over my condensers because it has such character. Timeless and vintage sound. Mine is a little noisey so not ideal for quieter instruments. I record folk/soul/jazz/pop/blues.
C. Judd
Comentado en los Estados Unidos el 8 de enero de 2012
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