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No hay artículos en el carroThe Borden And Riley 234 Paris - Papel para bolígrafos (22,8 x 30,4 cm, 274,3 kg) 40 hojas blancas de 108 libras. Papel sin ácidos con calidad de archivo. Tiene una superficie lisa y dura para cada tipo de bolígrafo y es ideal para caligrafía y todos los trabajos de línea fina y tinta. Perfecto para dar líneas finas y limpias, incluyendo ilustraciones técnicas y Manga. Sin maleza, sin plumas, sin sangrado o rotura de líneas finas. Fabricado en EE.UU.
Diana
Comentado en los Estados Unidos el 29 de abril de 2025
The paper does not lay flat. The entire pad of paper has waves in it and must be a 2nd. I can’t use it for my client work. Not worth my time to return so I will use it for practice and not order it from here again.
samONT
Comentado en Canadá el 29 de agosto de 2024
My pad of paper arrived damaged, 15 pages are unusable.
Marie
Comentado en los Estados Unidos el 22 de agosto de 2019
This paper is excellent for doing drawing with fountain pens. Very thick so zero bleed-through, very smooth so no problem with fibers clogging my nibs, and extremely microscopic minimal feathering if feathering even ever happens (depends on the ink). I wish it were a bit smoother/less absorbent to allow for more sheen to come through, but you'll still see quite a lot of shimmer when an ink has that like with J. Herbin Stormy Grey. Overall love this paper very much!
Mia_Vox
Comentado en los Estados Unidos el 11 de diciembre de 2016
After trying several different marker papers from different companies I gave this one a go. It is now my go to paper for illustrations. I have used pen and ink on this as well as alcohol markers. Both work very well.No feathering of the markers or ink. There is a little bleed thru if you are working the same area over and over. Otherwise this paper holds up incredibly well. Smooth blending with markers is what truly sold me on this paper.My very first sketch pad back in 1990 was Borden and Riley and I have always found my way back because their products are of great quality.
Mario Chavez
Comentado en los Estados Unidos el 9 de agosto de 2015
my paper of choice for ink and marker work. i've tried several different papers for my marker work, and have settled on paris paper for it's ability to hold ink lines and for how well it takes marker ink. some papers tend to be too absorbent and you end up with a build up of ink and perhaps a modeling effect because of it. borden and rileys lets me saturate the area and blend different values without a heavy buildup of tone.I wouldn't really recommend it for colored pencils or graphite, as it really has no tooth to speak of, and removing pencil lines completely can be difficult. it's also not particularly thick like some bristol boards, but for ink and marker work, thinner seems to work best. at least for me. please keep in mind that this is my personal preference, and it may not be everyone's cup of tea. some people prefer working with a surface that has some tooth to it, or an off white tone, if that's the case it would be best to perhaps try a different paper.the only thing i wish it did, was come in a creme tone
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